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:: 2.26.2003 ::
:: Peter Paul Rubens: The Horrors of War ::
From The Guardian UK: End of innocence
Rubens was a pacifist in a world of warmongers. So why was he so fascinated by bloody scenes of horrifying violence?
By Jonathan Jones, Thursday February 27, 2003
Rubens was a peacemaker in a world of martial enthusiasts. The painter, courtier and diplomat seems to have been a genuine rather than rhetorical lover of peace, and not surprisingly - he had plenty to lose.
2 paintings by Rubens viewable online:
"Allegory of Peace"
"The Consequences of War"
[Click "zoom" under the image on the left.]
"The principal figure is Mars, who has left the open temple of Janus (which in time of peace, according to Roman custom, remained closed) and rushes forth with shield and bloodstained sword, threatening the people with great disaster. He pays little heed to Venus, his mistress, who, accompanied by her Amors and Cupids, strives with caresses and embraces to hold him. From the other side, Mars is dragged forward by the Fury Alekto, with a torch in her hand. Nearby are monsters personifying Pestilence and Famine, those inseparable partners of War. On the ground, turning her back, lies a woman with a broken lute, representing Harmony, which is incompatible with the discord of War. There is also a mother with her child in her arms, indicating that fecundity, procreation, and charity are thwarted by War, which corrupts and destroys everything. In addition, one sees an architect thrown on his back with his instruments in his hand, to show that that which in time of peace is constructed for the use and ornamentation of the City, is hurled to the ground by the force of arms and falls to ruin. I believe, if I remember rightly, that you will find on the ground under the feet of Mars a book as well as a drawing on paper, to imply that he treads underfoot all the arts and letters. There ought also to be a bundle of darts or arrows, with the band which held them together undone; these when bound form the symbol of Concord. Beside them is the caduceus and an olive-branch, attribute of Peace; these also are cast aside. That grief-stricken woman clothed in black, with torn veil, robbed of all her jewels and other ornaments, is the unfortunate Europe who, for so many years now, has suffered plunder, outrage, and misery, which are so injurious to everyone that it is unnecessary to go into detail."
-Letter from Peter Paul Rubens to Justus Sustermans commenting on his painting The Horrors of War, 12 March 1638.
posted by me
:: 9:25:00 PM [+] ::
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